Album
Review
7th Avenue
KJ52
Essential
From the July
2000 issue of CCM Magazine.
The debut of rap artist KJ-52, representing a posse
he calls the "Sons of Intellect," introduces a new face
to Christian hip-hop. On the crisp musical foundation
of Gotee Bros.’ producer Todd Collins, KJ-52 stakes
a claim and does so with guest vocal stints from Knowdaverbs,
Bonafide (of Grits), Phanatik and Deuce (of Cross Movement)
and Amani. An East Coast rhyme scheme dominates, but
7th Avenue features a high level of versatility. KJ-52
and crew flip the beats for a little dancehall reggae
style, some old school beat box banter and enough R&B
soul singing to connect with those who aren’t hip to
straight talk rap.
Crisp, punchy rhythms provide the structure for the
record’s fast-talking rhyming, with "Do What I Do" as
the prime example of skills that thrill. A trippy rap
version of dc Talk’s "The Hardway" works, but "Keep
Ya Head Up" and "This Is Love," with Amani on the sung
chorus go a couple steps further, connecting the rap
verses to sweet melodic tracks. "We Rock the Mic," a
tongue-in-cheek old school salute, borrows the riff
from "Jam on It" as KJ-52 tells his testimony.
Up-front ministry concerns drive the rhymes, and there’s
even a running street witness that speaks of Christ
as the Greatest MC, which concludes the disc with an
altar call. In all, KJ-52 offers up significant talent
and a heart for communicating the gospel message in
a way that it can be heard at street level.
—Brian
Quincy Newcomb
|